Tween telenovela Chica Vampiro takes global stake

With sights set on North America, wider European distribution and TV movies, RCN’s IP continues to gain global appeal among tweens.
October 14, 2016

After achieving top ratings for terrestrial channel RCN (Colombia), Nickelodeon (LatAm, Benelux, Poland) and Boing (Italy), RCN’s first youth-skewing telenovela Chica Vampiro (Vampire Girl) recently bit into France’s competitive TV market, thanks to a deal with French diginet Gulli.

Sales were then secured with kidsnet Biggs (Portugal) and Zoom (Israel), bringing the show’s total broadcast reach to more than 80 countries. Now eyeing North America, wider European distribution and TV movies, the property’s international appeal continues to grow.

Ignacio Orive, founder of Chica Vampiro‘s Madrid-based international distributor BR360, never expected the Latin American telenovela from acclaimed Argentinean author Marcela Citterio (Ugly Duckling, Love in Custody) to find global success so quickly, let alone in France. But he understands why the 120 x 40-minute live-action dramedy has struck a chord with tweens, teens and families.

“It’s a combination of things. One, the series, which is co-produced by Colombia’s Televideo, is very well-written and produced. Another reason for its success is the idea that vampires can be funny. Some people said, ‘You’re late, Twilight is passé.’ Whether Marcela did it on purpose or not, I think the level of comedy is at least as important as the romantic story that grows throughout the series,” says Orive.

“It means it’s more gender-neutral than a traditional telenovela, and the journey is just as important as the destination, which allows for better repeat viewing.”

Orive also credits Disney Channel’s globally successful telenovela Violetta for helping prove that the genre could grow beyond Latin America.

“With Violetta, the ground became more fertile for telenovelas, so when that show’s run ended in France last year, we saw an opportunity to push Chica Vampiro,” he says. “Despite never airing 40-minute episodes, a daily broadcast in the telenovela genre, or a telenovela in primetime, Gulli decided to go with it.”

Since premiering in August 2015, the series averages 500,000 daily viewers ages four and up for the French net.

Product growth On the L&M front, BR360 has signed 38 licensees for France including Topps (stickers and trading cards), Pressmaker (magazines), Jungle! (comic books), Giochi Preziosi (secret diaries), Grupo Erik (calendars and posters), Canal Toys (creative hobbies and electronics), Smoby (dolls, music and cosmetics) and Ravensburger (puzzles).

Additional achievements in the region include a platinum CD from TF1 Music, a sold-out live concert tour, a brand-new 16-city Vampitour planned for October, eight bestselling books and a 52-minute docu-special that Gulli will air in November.

Launch coordination While the brand takes off, one of the challenges, according to Orive, is timing the rollout of the series with the live-cast concerts and promotional appearances, as well as the consumer product launches.

“For example, the series debuted in Italy in 2013, and two years later in France, so we had to send the cast from Colombia and Argentina to those countries twice, which isn’t cost-efficient. For the next season, we’re planning for a simultaneous European launch,” he says.

What’s next Looking at other assets, Orive says discussions are underway for an English version of the series for the North American market, four standalone TV movies are in the works for 2017, and an 80 x 45-minute second season is close to being greenlit. Also on the table are potential broadcast sales to Brazil, Mexico, Russia, Turkey, Hungary, Ukraine, Germany, Austria, Switzerland, Scandinavia, Spain, Greece, India and China, along with a YouTube channel and SVOD growth in France.

About The Author
Jeremy is the Features Editor of Kidscreen specializing in the content production, broadcasting and distribution aspects of the global children's entertainment industry. Contact Jeremy at


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